Showing posts with label Entertainment. Show all posts
Showing posts with label Entertainment. Show all posts

Wednesday, April 3, 2013

iPhone maker Apple to release updated phone this summer

The Wall Street Journal says Apple is set for a possible summer launch of the next iPhone, rather than a fall launch like the last two models.


Apple is also working on a cheaper iPhone model that could win it some market share in developing countries, the paper says. It cited unnamed people "familiar with the device's production.''
The report is in line with the expectations of company watchers and Wall Street analysts. The iPhone 5 costs around $600, and while Apple maintains older iPhones in production, even those aren't cheap enough to compete effectively against low-end smartphones running Google Inc.'s Android software.
Apple doesn't comment on future products before its launch events.
 ( Online News updated by Incident2day )

Monday, December 12, 2011

61 turns Rajini: His 10 quotes Interesting Coverage Report

Rajinikanth aka Shivaji Rao Gaikwad has not only been a phenomenon on the screen but off the screen too. His dialogues and one liners have always given the people a chance to flaunt their attitude. The era of social networking sites has changed the way people communicate but basic emotions are still the same.
On the eve of superstar's birthday, we have compiled 10 best Rajinikanth dialogues that you can post as your Facebook status.

Aaj Sunday hai. Din mein daru peene ka din hai." (Today is Sunday. This day is meant for drinking.)
2. Moondru Mugam (1982)
Ekambaram: "Ekambaramnu sonna vayithula irukura kozhandhai kooda vaaya moodum." (Say the name 'Ekambaram' and even an unborn child will shut its mouth and hush up.)
Alex Pandian: "Adhe kozhandhai kitta Alex Pandiyannu sonna, innoru kaiyale avanga amma vaayayum moodum!" (Well, if you say the name 'Alex Pandian' to that same unborn child, it will even close its mother's mouth with its other hand!)
3. Annamalai (1992)
"Naan solrathaiyum seiven, sollathathiyum seiven." (I will do what I
say, I will also do what I don't say.)
4. Basha (1995)
"Naan oru dhadavai sonna nooru dhadavai sonna madhiri." (If I say it once,
I've said it a hundred times.)
5. Muthu (1995)
"Naan eppa varuven, eppadi varuvennu yarukkum theriyadhu, aana varavendiya neratthil correct-aga varuven." (When I will arrive, or how I will arrive, nobody will know, but I will arrive when I ought to.)
6. Arunachalam(1997)
"Andavan solran. Arunachalam seiran." (God tells, Arunachalam does.)
7. Padayappa (1999)
"En vazhi ? thani vazhi." (My way is a unique way.)
8. Baba (2002)
"Khatham, gatham." (The past is past.)
9. Chandramukhi (2005)
"Laka..laka..laka." (Laka..laka..laka.)
10. Enthiran (2010)
I am a Robot. Speed one tera hertz, memory one zettabyte.

Thursday, November 3, 2011

I have no time: Trisha

Trisha has come out with an explanation as to why she is not acting in Malayalam and Kannada films. A top star in Tamil and Telugu, she stepped into Bollywood last year. But there was no Mollywood or Sandalwood movie from the actress.
“I really don’t find time to act in Malayalam and Kannada films. I am already shuttling between Chennai and Hyderabad thanks to my commitments in Kollywood and Tollywood. I don’t want to confuse things by committing so many projects at a time,” she says.
At present, Trisha is doing ‘Samaran’ opposite Vishal in Tamil and ‘Dammu’ with NTR Junior in Telugu. “I play interesting roles in both. I am happy to share the screen space with Vishal and junior NTR with whom I was supposed to act from long.”
In the meantime, Trisha’s other Telugu movie ‘Bodyguard’ (remake of ‘Kaavalan’ which by itself is a remake) is getting ready to hit the screens early next month. For the third time (after ‘Aadavari Maataluku Ardhalu Veruley’ and ‘Namo Venkatesa’), she is paired with Venkatesh in this film.

Friday, October 14, 2011

Shahrukh Khan RA.One


Born and brought up in Delhi, Shah Rukh Khan began his career with TV serial called ‘ Fauji’. He started his film carrer with the commercially successful Deewana .Since then, he has been part of numerous hit films like Darr, ‘ Dilwale Dulhania Le Jayenge’, ‘Dil To Pagal Hai’ , and ‘Kuch Kuch Hota Hai’, 'Chak De India' and ‘My Name is Khan’. Shah Rukh Khan has won several awards which includes the Padma Shri for his outstanding performance in several films. Globally, Shahrukh is considered to be one of the biggest movie stars with a huge fan following and was also named in the list of 50 most powerful people in the world by newsweek. Shahrukh Khan turned producer in the year 1999 when he started a production company called Dreamz Unlimited with Juhi Chawla and director Aziz Mirza. Shahrukh’s life-size wax statue was installed at Madame Tussauds wax museum in the year 2007.

Trisha speaks about her career

'I am into cinema for about a decade and I have a value and respect' says Trisha.



Trisha is now acting with Vishal in a movie that is being simultanously made in Tamil and Telugu.
Trisha was discussing about her acting career.  Why replying to a question related to the new commers as competitors to her, she replied 'I have never been over looked by any new commers.  I am here (acting) for about 10 years.  People give me respect and value me for my skills'
She continued 'I came here with the faith in my talents.  I get same kind of response even now as when in the time of entry into this field'

Sunday, October 2, 2011

Bipasha rubbishes wedding reports

Actress Bipasha Basu has rubbished reports that she is planning to tie the knot with actor Rana Daggubati soon.

"Reading reports of my supposed wedding plans, there is absolutely no truth in them," Bipasha, who parted ways with actor John Abraham, wrote on micro-blogging site Twitter.

Rumours were rife that Bipasha and her Dum Maaro Dum co-star Rana were dating and that they were planning to get married.


Saturday, October 1, 2011

'I am ready to go nude' Padmapriya

Thirst for money makes these babes willing to go even nude infront of camera and later they may cry foul like what Sona is doing now!

As of now Padmapriya has no job in Kollywood and is confined to Malayalam movies.  As Malayalam movie industry known for less pay, Padmapriya is still eyeing an opportunity in Kollywood.
"If I get any oppportunity to act in Tamil movies, I am even willing to go nude, if the story demands the same. I am ready for any sort of role that may be demanded." threatens Padmapriya.
She continued "Girl and glamour cannot be separated. If there is no glamour in a girl, then you will not enjoy the beauty in the girl."
When HosurOnline asked, why she is not acting in any movie including Malayalam, she replied "I have temporarily stopped acting on my own, though daily producers and directors stand in queue infront of my house.  I am planning to fly to US to further my education"


Thursday, September 29, 2011

Claire Danes sets up in 'Homeland'

It's "confusing" to talk about her character, CIA operations officer Carrie Mathison, because there's still so much to learn: Four episodes are left to shoot in Charlotte, and "these are not a casual four," says Danes, 32, who, sitting in the airy penthouse of the Hudson Hotel, has swapped Carrie's sensible pantsuits for something more akin to Danes' downtown homeland: black ice-pick-heeled stilettos and a sleeveless sheath from her "buddy," Narciso Rodriguez. "There's nothing casual about this show."
Thanks to a tip gleaned from a tense meeting with an Iraqi prisoner, Agent Mathison suspects that a recently rescued eight-year American POW, now heralded as a hero in his homeland, has turned al-Qaeda terrorist. Throw in a cheating military wife, a Saudi prince, high-end hookers — and a sexy, premium-cable patina — and you get a plot and a pace that's "cracky," Danes says. "We are dying to know what happens next. We're just begging for scraps — from the boom man, from the hair woman."questions with Claire Danes
If it sounds like 24— if 24 starred, say, Jackie Bauer — that's no accident: The executive producers of Homeland had a hand in the Fox hit. But where Jack's action was hugely hands-on, Carrie's conflict is partly in her head: This spy is secretly battling bipolar disorder. Which doesn't mean she's not packing, says Danes, a 24 virgin who took a field trip to Langley, Va., and dived into psychology books to prepare for the part. Still, Homeland makes "a real point of never showing a gun."
The small screen has been good to Danes, who won TV's triple crown — the Emmy, Golden Globe and Screen Actors Guild awards — for 2010's Temple Grandin, the HBO biopic about an animal scientist with autism who helped overhaul the livestock industry. And there's her cultishly adored mid-'90s role as introspective Angela in My So-Called Life.
Still, she initially flinched at the idea of returning to her series roots because of the time commitment involved. The Homeland script, however, proved "too seductive." Danes had been mired in a "real fallow period" after the success of Temple. "What do you do after that? Do you play the girlfriend?" Carrie's salty CIA agent was the first role to come along that was "really engaging."
After all, "I'm no longer an ingénue," Danes concedes. "I'm grown up" — with two homes, a Soho loft five blocks from where she was raised and a country house upstate, and a husband, the British Hugh Dancy, her Evening co-star and now, in a "dorky coincidence," fellow Showtime employee 
Likewise, her résumé is growing up: She plays the mom of a droll, Angela Chase-esque teenager in the recently wrapped indie film As Cool As I Am. She's not looking to play the part off-screen anytime soon, but "eventually, yes, I would like to be completely humiliated by my children."

Tuesday, September 27, 2011

Fight over Rajinikanth's biopic rights


The face-off over Rajinikanth biopic has taken a turn for the worse. To counter the film being made on the South superstar by producer Atul Agnihotri without their consent, Rajini's family is now planning to go ahead with their own biopic on the actor.
In fact, Rajini's daughter Soundarya has been urgently trying to reach Atul to no avail. "I've tried to contact Atul Agnihotri, but I haven't got any response.
We have not authorised anyone to do a biopic on my father. We reserve our rights on this matter," she says, adding that she is still open to discussing the matter with the producer.
Interestingly, in a recent interview Atul reportedly said, "There is a huge responsibility involved in making a film on Rajinikanth. We need his approval and contribution.
Making a film on him will be an enriching experience for us."
His apparent reluctance to resolve the matter with the family, therefore, is surprising. When contacted, both Atul as well as the film's director Lloyd Baptista were unavailable for comment.
After striking gold with 'Bodyguard', starring brother in law Salman Khan and Kareena Kapoor, actor turned producer Agnihotri will now work on the biopic.
The idea to make a Rajinikanth biopic came from Agnihotri's friend, ad filmmaker Lloyd Ba Pista, who will direct the film.

Saturday, September 24, 2011

MANKATHA - THE BADMANS HOMECOMING

mankatha-arjun-23-09-11"Dare to play a baddie"? Most heroes in tinsel town won't find anything strange about this phrase. That being the case you wouldn't have to be a genius to decipher that here we are dealing with an industry neck deep in stereotypes when you get to see the words "dare" and "baddie" used in the same sentence. Hence it obviously comes as a whiff of fresh air when a top hero decides to cross paths with out-and-out villainy with no strings attached and if he plays it with such an irresistible, carefree charm like Ajith does in his golden 50th venture, not many would have much to complain about.

Vinayak (Ajith), a corrupt cop, suspended from duty for aiding a thug to escape the clutches of law, teams up with a few others to pull off a heist involving a monumental sum of money, intended to be used for illegal gambling during the IPL cricket season and as is the case with most heist films, the trouble starts when the players start double crossing each other in order to keep the money for themselves. Duh, do not let the familiarity of the plot put you down just yet.

If you take Ajith out of the picture, you have a movie which succumbs to every possible cliché in the heist film genre complete with those explanatory montages shot stylishly in black and white and that "unexpected" twist in the end (which to be fair to the director, IS quite unexpected and gives you a little jolt) but the trick is to NOT take him out of the picture because he and he alone makes all the difference and elevates the movie from what it should have been to what it ends up being.

Oh where to start with the man of the moment! Right from his salt "n" pepper hairstyle which has been making headlines from the day the movie was launched to his acceptance to play a middle aged man sans morals and whose naked greed for money practically unleashes the beast within, "Thala" has dared to violate every single golden rule of Tamil Cinema which makes a mass hero. He disrespects women and elders, does not give a damn about his ladylove, pollutes the screen with endless puffs of smoke emanating from his cigarette and mouths enough swear words to give those respectable folks at the censors a hard time with all the muting and beeping. The best part is, all this seems to come so naturally to him and he does it so unabashedly, with so much panache that you find it hard to hate him. How many heroes would have dared to take up such a character? What guts boss!! Hats off!!

Having said that you can't help but feel that he would have benefited a lot more if the movie itself had supported him by crisper pacing and having lesser roadblocks in the form of songs. Also the need to have such an ensemble cast beats you. Most of the talented cast members are frittered away or not made use of and the less the said of the female leads the better. They do not even have enough screen time to look good! In fact apart from Prithvi (Arjun), the cop hot on Vinayak's heels and to a certain extent Vaibhav and Premji (Venkat's regulars) everybody else's roles are reduced to cameos.

Technically the movie is fabulous. Yuvan makes up for a couple of lukewarm songs with an absolutely rocking background score and the camera does a good job in keeping up with the action sequences found aplenty in the film.

Everything said and done credit must be given to the director for providing enough snap and meat in the script to Ajith's character, which if under developed could have been disastrous for the film. He has managed to tower over the script and that in the end has made all the difference.


Friday, September 23, 2011

Lights, Camera, Conversation — Tamil-cinema blues

I hadn't seen a Tamil movie in a while. I convinced myself that wild horses couldn't drag me to the Vikram-starring “Deiva Thirumagal,” which a number of people said was adapted from “I Am Sam.” The problem wasn't the adaptation (if you look at it charitably; “theft” if you want to be brutal) – it's that I do not, anymore, have the stomach for the spectacle of big-name actors brandishing their talents like fireworks in a night sky, playing (I'm looking for the politically correct word here) people with special needs.
I could barely endure Sean Penn doing it (in “I Am Sam”) and Ajay Devgan doing it (in the Hindi adaptation, “Main Aisa Hi Hoon”), and I couldn't bring myself to see Vikram doing it – and it's not because he isn't a good performer. He is. It's just that suspension of disbelief becomes difficult with a long-established actor. We don't lose ourselves in the character because it's the actor who looms before our eyes and we say “look how well this actor is playing that character,” which is not the case when an unknown plays the part.
“Mankatha” I could not see because life took over the weekend it was released, and once you miss something in its first week it becomes increasingly difficult to catch up because other films, newer films, keep getting released and the older ones get elbowed into the background. But this is a film I intend to see for a number of reasons.
One, it's a blockbuster (from what I hear), and as a critic you have to watch the big hits because they tell you what the popular pulse is (and how far from it you usually are). Two, it has Ajith in a negative role (again, from what I hear; I keep away from reviews and interviews until I watch the film so that the mind can remain as much a blank slate as possible). And three, Venkat Prabhu has become a front-line director, and though he's never really lived up to the utterly charming promise he showed in “Chennai-600028” – his subsequent films, “Saroja” and “Goa” were the very definition of diminishing returns – his has become a career worth following.
So when Friday arrived and brought with it two new Tamil releases, I opted for “Vandhan Vendraan” (directed by R Kannan and starring the numerologically empowered Jiiva) over “Engeyum Eppodhum” (directed by M Saravanan, and with Jai and Anjali in the lead). The first ten minutes, pivoting on the casual cruelties of children, are gripping, and then, like a train that's gathered speed only to discover that the tracks have disappeared, the film nosedives into an abyss.
Just about everything that can go wrong goes wrong. Santhanam saunters in with his comedy track – very funny at times, I admit – but his clowning lets the air out of a plot that should have ballooned with pressure. In this mutilation of the film's mood, he is aided by a clutch of badly placed songs and a screenplay that lumbers clumsily between the present and the past and characters who happen upon each other so conveniently it's as if they closed their eyes and thought of who they wanted to meet and were there when they opened their eyes.
And then there's the heroine. Am I the only one disheartened by fair-skinned women who look great frozen on magazine covers but, when thawed on screen, perform like they've arrived from an alien planet? In close-ups, their eyes bulge and their nostrils flare up like infant dragons preparing to spew smoke, and their fingers slash through the air in feral gesticulations even as their lips assume positions that could never form the words we hear in the dialogue on the soundtrack.
Tamil film heroes routinely demonstrate their bravery not by battling burly villains but by facing these actresses mid-performance and not running for their lives. Forget the suspension-of-disbelief issue with Vikram in “Deiva Thirumagal – these girls don't just break the fourth wall, they lunge through the gaping hole and land on our laps as we cower in terror. I am baffled that the female populace of Tamil Nadu hasn't taken to processions of protest at being so offensively misrepresented. This isn't a plea for the banishment of beauty, but isn't anyone alarmed that the Tamil woman on screen has mutated into an alabaster automaton?

Ajith says that the Chief Minister Jayalalitha is like a mother to him

Actor Ajith Kumar said that Chief Minister J Jayalalitha treated him as if he is her son. In a recent interview while speaking about the meeting with the Jayalalitha, he said, " I can never forget when Jayalalitha attended my marriage and showered her blessings on us. Shalini and I had been to Jayalalitha Amma’s Poes Garden residence. He showered her love as if I was her own son." 


When asked Ajith that whether he was threatened by the ex Chief Minister M Karunanidhi for his out spoken speech in a film function, he said, "I am a person who believes in democracy. I will give great respect to all the political leaders. I spoke my views very frankly in that function. There was no other intention. My beloved ex Chief Minister also came in person to my marriage and showered his blessings. This will always be in my heart."
Moreover while speaking, he said, " I am aged 40 years now. I don’t know whether I will live for another 20 years. A person’s identity is that how he lives. The amount of people who gather for a person’s funeral will determine that how the person has lived. People who gather for my funeral will show the whole world that who Ajith Kumar is." 

Monday, May 2, 2011

Deepika Padukone can’t stop thanking her stars to have landed ‘Rana’



Mumbai: DP got the opportunity of her career by being offered to play superstar Rajnikanth’s leading lady in upcoming flick ‘Rana’. It is the first time the dusky actress will be working in a Tamil film.
She revealed her happiness at a press conference by saying, "I will not even call this a dream come true because it seemed so impossible that I did not even dream that this would happen one day.”

She is currently busy shooting a song sequence at a studio in Mumbai. She said to a daily, "Friday was my first day of shoot. We are shooting a song sequence to a number tuned by A R Rahman, the composer of the film."

Deepika has a lot of respect for Rajnikanth and considers him to be one of the legendary actors in the country. "It can`t get bigger and better than this. I`m south Indian myself and have long wanted to debut in Kollywood with a big film. Though I`ve been listening to scripts, it was when ‘Rana’ came along that I decided that this is the one for me. I think it`s destiny." Has she seen any of the Superstar`s films? "I`ve only seen ‘Robot’ till now."

So after green-eyed actress Aishwarya Rai played the leading lady to the epic star it’s now time for Deepika to get the limelight. Well we can’t agree less it is one of those big opportunities she has got in her career. And we wish the tall beauty all the very best for her dream venture.

Meet Kalki Kashyap



From the start of the ceremony right till the end, both of them seemed mesmerised by each other,” laughed Ishika Mohan Motwane. Director Vikramaditya Motwane’s photographer wife was one of the few guests at actor

Kalki Koechlin and filmmaker Anurag Kashyap’s wedding. The ceremony took place on April 30, in Ooty, the hill town where the bride’s French parents have now been living for 30 years.

No fairytale affair, the preparations were kept elegant yet simple. The ceremony began at 10.30 am, in accordance with the mahurat. A small baarat party, comprising Kashyap’s family and a few friends like the Motwanes, writer Piyush Mishra and UTV Spotboy’s ex-COO Vikas Bahl.

The ceremony was followed by a traditional vegetarian South Indian lunch. But what Kashyap was most looking forward to was the barbecue evening.“We have been relishing pure vegetarian food for two days and now the drinks and the meat will follow.”

Bollywood cheers Osama's death



The world's most wanted terrorist Osama bin Laden is dead. As US President Barack Obama confirmed the news, Bollywood stars tweeted furiously about it.

Minissha Lamba tweeted: 'Osama is Dead. 2nd term guaranteed 4 #obama. Trust American's to steal d world's attn away from d #RoyalWedding. Interesting timing.'

Ranvir Shorey advised the government of India: 'America leads by example again. Pakistan lies through its teeth again. India clueless again. Dear Govt. of India, in the middle of your bickering with Pakistan, I have two words for you: DAWOOD IBRAHIM.'

Shekhar Kapur agreed with him. 'Osama became the mythical dark force that the US rallied against. It no longer matters tht he is/was dead or alive. Surely US would have wanted Osama alive not dead. Something wrong. Hope Indian Govt gets Dawood alive. If they have nothing 2 hide,' he wrote.

Punit Malhotra, on the other hand, wanted the Indian government to hang Pakistani terrorist Ajmal Kasab. 'So they finally kill Osama 90kms from Islamabad. You really think the ISI wasn't hiding him??? He stayed near a military base!!! Anyway, cheers to the US. They finally managed to do what everyone had given up on... perhaps a lesson for India? They go to Osama & kill him. We on the other hand have made Afzal and Kasab our guests. Wonder when we will hang them??? Will we ever be able to go in and kill the 26/11 planners??? Feels strangely good to see a dead Osama but feel the war isn't over,' he wrote.

Rahul Bose tweeted: 'Am hoping a sense of balance is maintained in the US at the osama news. Closure is good, revenge isn't.'

Ameesha Patel couldn't believe the news. 'Hope the news is true about osama being dead. N it isn't an impostor that monster capable of anything,' she wrote.

Ram Gopal Varma cheered the US. 'Whatever the future of terrorism is after the death of osama I am right now so very very very happy fr America..3000 CHEERS!!!'

Dino Morea felt Osama is still alive. 'Hello Tweeps, strange feeling Osama still lurking somewhere, and planning something bigger,' he updated.

Madhur Bhandarkar felt that the world could finally rest in peace. 'Since Osama Bin Laden is dead, now may the World Rest in Peace (R.I.P),' he updated.

Mahesh Bhatt wanted Geroge Bush to be hanged. 'While you 'rightfully' celebrate the killing of Osama Bin Laden. Who will hang the other terrorist GEORGE 'BUTCHER' BUSH,' he tweeted.

Sunday, May 1, 2011

42.1 million viewers in India watched the royal wedding



New Delhi : The market share of English news channels increased by 15 percent as an estimated 42.1 million viewers in India watched the royal wedding between Prince Williams and Kate Middleton Friday, said rating agency Audience Measurement and Analytics Ltd (aMap).

The surprise element of the rating was the viewership among housewives jumping by 25 percent.

"Viewership among housewives increased as they were glued to the watch every detail of the wedding ceremony, the designer clothing and the grand affair," Jiniti Shah, vice president, aMap said in a statement Saturday.

IANS

Royal wedding: official photographer reveals how he achieved 'effortless' pictures



The official pictures of William and Kate's wedding were shot to show two families coming together and reveal the couple's love for each other, the photographer Hugo Burnand has said.

Speaking at Clarence House in London, Hugo Burnand said he hoped it looked ''effortless, relaxed and friendly''.

He said his favourite photograph was one of the newlyweds with the bridesmaids and page boys, but there were only seconds to set it up and the children were coaxed with promises of jelly beans and sweets.

The pictures, taken in Buckingham Palace's throne room immediately after the bride and groom arrived from Westminster Abbey, capture the Royal Family and the Middletons in rapturous mood.

Mr Burnand said: ''Amazingly it was a family wedding.

''From where I was and from their point of view it was two families coming together and that was the feeling, the sense of family and love going between everyone.

''They had their own buzz. Everyone had their own buzz. It was that excitement that I hope you feel at most weddings.''

Asked about his technique, he said: ''I hope it looks effortless and relaxed and friendly and smiley because that is how it was.

''But that comes from months of preparation, hours of setting up, and being so organised that you are sort of in control at the time.''

Mr Burnand had only a short period of time between the couple's arrival at Buckingham Palace and their appearance on the balcony to take the official photographs.

He said: ''I hope when you look at the picture you feel, as a viewer, that you're engaged with the people in the picture. The only way to do that is to be engaged as a photographer.''

Bridesmaid Grace van Cutsem, the new Duke of Cambridge's three-year-old goddaughter, won hearts at the wedding when she was pictured on the balcony with her hands over her ears.

Mr Burnand said he had met and photographed her as a bridesmaid before.

He said: ''When she walked in I was able to go straight up to her and talk to her about the last time we had met and explain to her it was the same thing and she knew what was going to happen.

''She was great. She's so adorable, Grace.

''They were all fantastic actually. A bit cheeky some of them, but we like that.''

Mr Burnand was red-eyed and emotional as he talked about his favourite picture.

He said: ''It was a picture we all wanted to take but we didn't know if we were ever going to have the time to do it.

''If things hadn't gone really smoothly we would never have got to that picture.

''We had seconds to put that picture together.''

But he said that, because he had discussed with his team and everyone in the picture knew what they were going to have to do, they were able to rush into position.

''Those children came in - there was a promise of sweets and jelly beans - but they knew what they had to do.

''When you look at those individual children in that picture you are seeing those children and their characters.

''That's the same with the bride and groom in the middle of the picture as well. That's really them. There's no time for direction, we've done all that.''

Saturday, April 30, 2011

Showing Wills and Kate how it's done? Elizabeth Hurley and Shane Warne engage in post-match smooching in Jaipur



Most of the world were riveted by Royal Wedding events unfolding in London today. But Elizabeth Hurley was not one of them.

The model's attention was otherwise engaged, far away in Jaipur, India.

Elizabeth was far more interested in cheering her boyfriend Shane Warne on at his cricket game, and the couple engaged in some post-match kissing that would have made the Royal couple blush.

The 45-year-old has been in India supporting Shane, 41, as he captains the Rajasthan Royals at the Indian Premier League.

Despite replying coyly recently that she and the sportsman were simply 'very good friends,' the pair proved that their very public romance is very much back on in recent days.

On top of their passionate display of affection after Shane's match against the Mumbai Indians, the couple are back to their incessant tweeting.

Warne commended his girlfriend and her son Damien over Twitter on their support of his team.

He wrote: 'You and D's flag waving was superb today - all the boys appreciate your support v much. Think you are now a cricket lover!'

He added: 'P.S. FYI RR blue top 100% suits you... Hahahaha I secretly think your a 20/20 lover And are converted to cricket !!!!! LOL.'

Miss Hurley replied: 'Yes! Love cricket now,' adding three 'kisses.'

Rajni’s first period film shooting starts



After his mega hit ‘Endhiran-The Robot’, ‘Superstar’ Rajnikant will now enthrall his die-hard fans with a triple role in his first period film ‘Rana’, which went on floors here on Friday.

The 60-year-old actor will be romancing Bollywood damsel Deepika Padukone in her first venture in the multi-crore Tamil film industry.

Rajnikant will be joining hands with director K.S. Ravikumar, a combination often described as “successful and sure shot” in the industry.

They had earlier churned out the megahit film ‘Padayappa’ besides ‘Muthu’, which ran to packed houses in Japan and earned the southern superstar numerous fans in the Asian nation.

This will be the first period film for Rajnikant and stills showing him as a bearded warrior have already heightened expectations.

Oscar-winning musician A R Rahman will be scoring the music for this big budget venture in which Rajnikant’s daughter, Soundarya, is the technical director.

According to Ravikumar, ‘Rana’ has a “strong story, a very interesting ensemble cast and promises to have some stunning visual effects which will take Indian cinema to the next level.”

Produced by Eros International, ‘Rana’ is slated for a 2012 release.

Speaking frames



Shy. That's Onir. Throughout the promotion campaign of his new movie “I Am” at Costa Coffee, Onir smiled politely, answered questions graciously, but preferred to let Sanjay Suri and Juhi Chawla take over.

When I approached him for an interview, Onir agreed. I understood it would take some coaxing to get him to talk about himself. We sat at a far corner, away from the madding crowd of cameras, mikes and bright lights. As the conversation progressed, Onir revealed himself little by little: sensitive, yet strong; fiery, yet soft spoken and talented, yet humble.

We start by talking about how he raised funds for “I Am” through Facebook. “It was Sanjay's idea. We thought, why not raise funds independently? We started a group on Facebook. Many people came forward. Some volunteered as production assistants while others contributed financially to the film.”

Onir prefers funding his films rather than depend on producers. “I want to be completely responsible for my films. Marketing and distribution is always an issue. There's no support system for independent cinema.”

But he seems uncomfortable during flashy film promotions. At this, Onir laughs and says: “I am learning this part. I prefer working behind the camera.” “I Am”, like Onir's other films, sensitively portrays stories of people who are different, often secluded by circumstances or choices. He contends that sensitivity is lacking in today's world.

“The questions a director faces from the media has nothing to do with the film. Some people said ‘My Brother Nikhil' is a controversial film. I don't agree with that. Morality is a Victorian concept. Ancient Indian culture celebrated love. I tell a story with love. We concentrate on the wrong issues. Instead of punishing couples kissing in public, violence and civic lawlessness should be dealt with first.”

Independent films find an encouraging screening at film festivals, but of course to a very small audience. Onir agrees.

“I had recently attended the Kerala Film Festival. The whole of Kochi — where the Film festival was held — was celebrating. An auto driver told me enthusiastically about the films that were being screened. It was fantastic. Schools there screen world cinema every week. We need to take a cue from that.” The almost forgotten history of the Kashmiri Pandits, finds expression in one of the four stories in “I Am”.

“The politics of silence scares me. It is dangerous. No procession has come out in support of the Kashmiri Pandit issue. I don't believe in freedom that divides. The only voice I have is my films. I address issues that matter to me.”

Onir is inspired by Bengali filmmakers such as Ritwik Ghatak and Satyajit Ray. “Ghatak's ‘Meghe Dhaka Taara' is one of my favourites. I remember crying inconsolably while watching the film. I think I have subconsciously imbibed the sensitive way in which he depicts refugee stories.”

Onir confesses that his world revolves around making films, but he has no material comforts of his own. “Honestly, I have no house, no car and zero bank balance.”

“So what keeps you going?” I ask, afraid of being too intrusive. Onir smiles widely. “I have great friends who have stood by me throughout. And good cinema keeps me going. My happiness is enhanced further when my films are well received. A fashion designer from Hyderabad changed his name after watching ‘I Am'. It had liberated him from a lifelong inner conflict.”

 
Design by Free WordPress Themes | Bloggerized by Lasantha - Premium Blogger Themes | Grocery Coupons